Tuesday, August 19, 2014

Roadkill Ghost Choir's In Tongues Lacks Voice

Roadkill Ghost Choir - In Tongues
Greatest Hiss Records
-out today
2.5 / 5

We invariably find albums like Roadkill Ghost Choir's debut the toughest to judge. In Tongues is not particularly weak (it's got good drive and direction) nor all that strong (not especially compelling, not brilliant), and the Floridian rock quintet certainly have their moments. But we always have to consider this: that we're getting the album gratis, for review consideration, and you, dear readers, will either head out to buy this album or spend it on something else. In this case, certainly, save that ten bucks and spend it on something like White Lighter or Evil Urges by My Morning Jacket; far, far better rock than you're going to encounter here. In Tongues simply doesn't do what a good rock album promises to do.

We judge jazz by the rhythm section, the bottom end: good drums, good bass = good jazz. We find it apt here to judge our ennui in a lack of foundation - the heart of the music isn't fueled by pounding basslines (they're far too simple) or two-and-four snare hits. The drive is entirely supported by guitar and vocals, which do suffice, but consider a car that doesn't get up past second gear. The music, in short, drags. "No Enemy" is the exception to this, not in drums or bass, but that vocalist Andrew Shepard reaches far enough to transcend the band; this is his performance on this track. But one song does not make a placid album stand out.

In Tongues is a mild, moderately disappointing debut. Sluggish, not particularly emotive, and certainly not inspiring. Take a pass.

Listen to the In Tongues on Soundcloud.

Tuesday, August 12, 2014

Two (free) books left, and where to get a paperback!

Hello!

We've been mighty busy getting books out to people. We've only got two free copies of the book left (copies without the UPC, rare indeed) and you can pick up one of those on the forums at the main site. We just ask that, when you're done, you put the book back up on the forum for the next fellow/lady to enjoy.

And when we run out of these two copies?? PANIC!
Okay, not really.

Because you can still always purchase this so-called "digital copy," or a "digi-book;" or, you can call/drive/amble on to one of these fine bookstores. We've been doing a few book signings, and maybe you'll catch us at an open mic with one of these copies on hand. $12 at an RI location (hopefully) near you. $5 at Amazon, so far, until we update it with more stories (see below).

We'll be updating the more bookstores that carry "Keeper," so do keep in touch. And we'd also love to hear your opinion of this fine, fine writing! On here, or at Amazon or Goodreads. Check out those reviews so far. Doin' purdy good, we'll say.

Thanks for all your time and support and patience! We're working on Book II of "The Keeper of Dreams" (title TBD) and have a couple novels edited/queried out right now. Gonna need another illustrator for the new book! Keep in touch, or direct us to someone who's interested!
-Mgmt.

Friday, August 1, 2014

Newport Folk Fest, Sunday - Birthday(s)

Memory is a large factor in our criticism. If you hear something, like it, but can't remember it - it wasn't that memorable, was it? (Obviously.) It's important to us to keep that memory - after the music, what else will you have? Sing a song to work, play it in your head... hence why we get signed shirts, why we keep this blog, even. Not for guts or glory, for that memory. So we find ourselves almost a week after the final day of the Newport Folk Fest 'Fourteen, a stack of notes, and really, there's one thing that we remember most of that day. The best of the day, of the weekend, by and far.

And, if you'd managed to stay/survive the day that long, you'd know who that was: Mavis Staples.
But don't worry, we'll get to her. We very, very much promise this.

Highlights, in generally chronological/mnemonic order.

Hope it wasn't a load-bearing spike!
Deslondes here, whom apparently feel a railroad spike is the ideal percussive instrument. Yes, it's quite cool. We had to take a couple pictures of this, as, how often is a band prepared to set up on a train when planes abound nowadays?

We wonder if this gent plucked it from a local track. That would be neat, extra local flavor. Yum.

Speaking of extra flavor, Sunday at the Fest was extra juicy. Or, we should say, wet. The sky threatened 3/4ths of the day, and paid on its promise the other quarter. We caught ourselves stuck under Caitlin Rose's tent for her set. Note: cool big shades and heavy rain right behind her.

Cool shades, lady. Not quite like Sallie Ford's, but cool enough.
It's not quite fair to blame Miss Rose for the rain, but... let's face it, "Dallas" and "Pink Champagne" were a bit depressing. Kind of reminded us a bit of Sallie Ford, though more wistful, less overtly sexual. Miss Rose's country vocals arched right over her setlist; pretty good, lass, pretty good.

Here we're going to insert a photo of the crowd... or not. We're going to let you use your imagination, so to speak: umbrellas, ponchos, mud and an unprepared writer carrying a white trash bag full of his unwettables. We're trying to stick to just five photos this time around - almost made it the last couple posts, too.

(The photo we really wanted to take: some dreaded hippie-girl offering "Free Hugs." Yes. We did indulge - just a quick one. Then back to work.)

Which - skipping  ahead, brought us to Dawes. We love Dawes. Just a little. We have two distinct memories of them - one of us practicing "Most People" in the car, months ago. And finding the moment at the festival where all that hard work paid off - yes, very singable song.
And number two - feeling a bit sad when we had to walk away and cover (yet) another stage. Alas, we wish we could've stayed there til the end. But we know they're good, we've seen them a few times before, and today was a day for making new memories. Dawes and crew.

Dawes and crew: always on, always good.

But that sadness quickly dissipated. Very quickly. When we came to Hozier.

Hozier. Just fantastic.
Andrew Hozier-Byrne is a talented, talented fellow. Captivating, very masculine voice. Great rhythm and lyricism. Soulful. The kind of music that has a deep spirit to it, knowledge and sweetness and wisdom.

Opening with "Real People Do," he captivated the crowd. Dancers. People standing in the rain. Love and soul and misery. Such as the misery we had when we had to leave this stage (our second favorite of the day). That Soundcloud link we gave above doesn't do justice to his voice, by the way.

And we had to leave, because we couldn't call ourselves an indie music blog without covering Conor Oberst. But, alas, our lingering memory of him was not so much sound as scent: the largest, biggest plumes of, erm, herbal fragrance carried to the stage. There were moments throughout the weekend where we could pick out the scent, but this - this - was OVERWHELMING. People were waiting for this.

Feelin' all the good vibes. And probably second-hand.
And we were waiting for Valerie June. We had to catch her. It took a while for her to be satisfied with the mic - her backup singer gave hers a quick "hello," which was indeed pretty funny - but she finally took the stage. Let us just say, either we weren't feeling it, or Ms. June wasn't, because there wasn't that real connection there. And a shame! We'd heard so much about her album, and skipped second-hand other-smoke to catch her, too! Oh well, you can't win them all.

We need to wrap up quite soon and get to the real part of the day. Y'all know Trampled by Turtles by now, one of the fan favorites in 2011 and '12, and with good cause. They tore some off of their new album Wild Animals (which we promise a review of!), and pulled us right in. These tracks weren't the blisteringly fast bluegrass we've come to know and love the Turtles for, but slower-paced, a bit more emotive, less technical. When "Wait So Long" came on, the crowd went NUTS as expected, as deserved, and it pained us to have to leave mid-song to catch a somewhat stage-shy (or something or other) Jeff Tweedy.

Trampled? Yes. Turtles? Certainly not.


And now we can't take it. First admission: this past folk fest was our Birthday Folk Fest! Indeed! And some other lady, something-Staples celebrated her birthday as well. We're not too sure.
(Hers is actually on the tenth, by the way, but who's counting?)

Here's that "other" birthday person:

Working? On your (belated) birthday??
Mavis Staples was, by and far, our choice of the weekend. A delightful 75-year-young, we were blown away by her vibrancy, her sense of fun, and desperately wanted her to be our grandmother. Covering Buffalo Springfield and, of course, belting out Staples Singers classics - "I'll Take You There" still one of our favorites - there wasn't a dry moment, except when the sun finally came out for her. Norah Jones aptly noted this.

But yes! Miss Jones, Taylor Goldsmith of Dawes, Spooner Oldham, even... just about everyone was there (alas, no Rachael Price), and whoever wasn't on stage during her performance showed up to close it out with a Pete Seeger favorite, "We Shall Overcome." The Motown queen brought out the best of the Folk Fest, even brought out the sun, brought back memories (especially during "The Weight") and, of course, forged new ones.

Miss Staples, we tip our hat to you, and wish you many fantastic memories to come. As you said, you've been making them for us for the past sixty-four years. We hope we could give you a couple from our quaint little town.

Thanks for staying around and watching us enjoy ourselves! And if you do catch us somewhere, be sure to say hi (we're pretty congenial)! Catch us next year at the best festival in the states,
-Very sore but happy Mgmt.